Museum Exhibits
Metropolitan Museum of Art
1000 Fifth Avenue (82nd Street)
212-535-7710
Poiret: King of Fashion
Special Exhibition Galleries, 1st floor
May 9 - August 5, 2007
This exhibit celebrates the advancements made in women's fashion by French designer Paul Poiret (1884-19440). After training with legendary designer George Worth, Poiret opened his own couture shop in Paris and gained great success and notoriety. Shortly after the turn of the century, he was credited with the elimination of the corset and the re-introduction of the empire waist and more fluid lines created by the use and proper application of fabrics with natural drape. His stardom eluded him by 1920 leaving him penniless at the time of his death.
Impressionist and Early Modern Paintings: The Clark Brothers Collect
May 22, 2007 August 19, 2007
Nineteenth-Century European Paintings Galleries
Stephen Clark a former trustee of the Metropolitan Museum of Art and his brother (Robert) Sterling Clark founder of the Sterling Clark Art Institute in Williamstown, Massachusetts were heirs to the Singer Sewing Machine fortune. Both interested in art, the brothers seemed, to many, to have had an unspoken rivalry regarding their collections. Each amassed an inordinate amount of impressionist and early modern paintings which later benefited art institutions such as the Metropolitan Museum of Art and the Sterling Clark Art Institute. In celebration of its fiftieth anniversary, the Sterling Clark Institute has collaborated with the Metropolitan Museum of Art to mount this unprecedented exhibit. Sixty-five paintings are on view including works by Degas, Seurat, Renoir, Homer, Monet, Pissarro, Matisse, Eaken and Hopper.
American Museum of Natural History
1000 Central Park West (79 St.)
AMNH - Gold
Now through August 19, 2007
212 769-5100
www.amnh.org
Everything that glitters is gold - at least that's the case in this sparkling exhibit on one of planet earth's most coveted natural resources - gold. From the earliest of times gold has been revered as an element representing beauty, wealth and power. The ancient Mesopotamians, the Mayans, the Greeks, the Romans and most civilizations since them have used gold as gifts, adornment, for worship and finance. This diverse exhibit covers the role of this precious metal in society from ancient times through the present, its scientific properties, the principal geographic sources plus, its application in art, fashion, religion and other areas of our culture.
Neue Galerie
1048 Fifth Avenue (at 86th St.)
The Neue - VanGogh
Now through July 2, 2007
212-628-6200
Mon & Thurs 11 a.m.- 6 p.m. Friday until 9 p.m., closed Tues & Wed
www.neuegalerie.org
A Van Gogh exhibit at the Neue Galerie - why? one might ponder. Well, it seems that the Germans were among the first to take interest in Van Gogh's art. The acquisition of his paintings had an measurable influence on German artists of the time- forever changing the course of German art. In this comparative study of over 80 paintings that fill every inch of the gallery's exhibit space, we see the root of German and Austrian expressionism in Van Gogh's work. In addition to works by Van Gogh, on display are paintings by Gustav Klimt, Egon Schiele and Otto Dix. Unlike most other museums around the world, The Neue Galerie is open on Mondays but closed Tuesdays and Wednesdays.
New York Historical Society
170 Central Park West
A New Light on Tiffany
Now through July 22, 2007
Tues-Sun, 10 a.m. - 6 p.m.
www.nyhistory.org
212- 873-3400
To complement the Tiffany exhibit currently on display at the Metropolitan Museum of Art, the New York Historical Society is mounting its own Tiffany exhibit called A New Light on Tiffany. Unlike the exhibit at the "Met", which focuses on art salvaged from Laurelton Hall, the artist's estate on Long Island, A New Light on Tiffany focuses on the many talented women who worked in the Tiffany Studio and were responsible for the design and creation of many of the decorative pieces including some of the more iconic lamps. This exhibit is the result of a resent discovery of correspondence written by Clara Driscoll, a designer from Ohio who worked at the studio as head of the women's glass cutting department. The detailed accounts in these letters dispel long-held beliefs that all Tiffany designs were created developed by the artist himself. They also provide here-to-fore unknown details regarding the production of the iconic Tiffany lamps.
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